Blocking Leads to Brain Explosions

Early last month I cast on for the Isobel scarf, using Debbie Bliss Pure Silk. I finished the project just before the end of the month.

Prior to finishing I had searched the threads in Ravelry for anything about blocking silk and was thrilled to read post after post of how durable silk is and how you can block it to within an inch of the yarn's life with no worries. I read that soaking silk is fine if it is not a bold color as the only problem that comes from soaking is the dye bleeding, so vibrant colors should be carefully dampened rather than set in water for hours.

Today I planned to get the blocking started.
To be thorough I started searching the threads again. Funny, this time I find thread after thread saying silk becomes fragile when wet and that blocking should be done with light steam and carefully.


Some people say silk should not be soaked and instead just immersed in water long enough to be wet, others say that silk needs to soak for hours because it is dense and won't get wet all through without giving lots of time.



There seemed to be a bit of question regarding the weight of the yarn, but in general today's searches only brought up warnings while the previous search was all confidence.

In the end I soaked the silk for about an hour. Then I blocked it rather strongly. It took almost 2 hours and 200 paper clips to get the scarf fully blocked. By the time I was done blocking it out the silk was mostly dry, so I gave it a light spray of water once it was all stretched out.



The results are quite pretty. The scarf has a hint of curling at the edges, so I probably could have blocked it with a bit more force. I am very please with the results and I have half a skein of the silk left over. I am already looking for a suitable project for 23 grams of silk.


This post alone took a couple of days, mostly due to other issues like the need for clean clothes, charged batteries, sleep and work. At least I can count off another one of the Twelve Projects for 2009 Project Queue.

Moving forward, Stitch by Stitch

The Isobel Scarf is not a difficult lace pattern.
It is actually well behaved and even asks permission before leaving the table.

So why have I not finished it yet?

While the pattern is a model lace pattern, the yarn is the rebellious, pouty sister.

The silk yarn is moody and sometime does not want to make a stitch. If you attempt to make her, she throws a temper tantrum and you end up having to frog back the row to figure out where the missing stitch is, only to find out no stitch is missing but rather that the silk is hiding stitches.
Rather than politely ask to be excused from the table, like the lace pattern, the silk yarn slowly slides down her chair until she can escape under the table.
The lace pattern keeps her appearance neat, while the silk yarn pulls her own hair until there are knots.
The silk even tried to get the lace in trouble. There is two missing rows several repeats back. The lace has a increase/decrease row paired with a purl row. There are three pairs that make up a set, or half the repeat. The change being that one set is increase/decrease and the other set is decrease/increase. I have a spot where there is only two repeats in the set. Overall, hardly noticeable to the credit of the lace pattern.

Thus, I am about halfway. I am really guessing on the progress as there is no specific amount of rows. The only trick is to leave enough yarn for fringe.

A good start to the New Year

As was mentioned in my last post, I have 12 projects lined up for 2009 that are Strictly Stash.

The first one, carrying a 9 day deadline, was completed on day five.
Due to the fact that the project remains at work, and I only had my cell phone with me, the following picture is not particularly well shot. You will just have to clarify it with your imagination.

With no further ado, I present a 100% stash and 100% acrylic scarf designed to look like a letter "N":



Notice the use of Boa to make an impression of calligraphy.

This means I get a relatively early start on my next project.
I will be making the Isobel Scarf using Debbie Bliss Pure Silk (that I purchased in Minnesota).

Already it is prepped and ready for travel:



See? Everything I need is nicely in the bag.
Yarn, check.
Needles, check. (I grabbed the circulars, size US8)
Knit book with pattern written out, check.
Pen for tracking progress, check.

All in one little bag! Marvelous, simply marvelous.

It is going to work with me today so I can cast on and begin working on it.
Allow me to say, in rolling the two skeins for a center-pull ball, I actually found myself wishing for a ball winder.
Why?
Because this was the most difficult yarn to ball. Even more difficult than my shiny metallic Filatura Di Crosa Night, a beautiful yarn that tangles worse than anything.
The Silk qualified as more difficult due to:
A) Expectation.
It is silk! It should not constantly knot up. Seriously. I expected it to slide gently against itself and move easily. This was so not the case.
On the other hand, I expect the Night to tangle. A lot.
B) The Twist.
This is not a yarn that will just slide through your fingers. No, it has a strong twist, so as you go along parts of it start curling up as if you were spinning it yourself. This complicated matters a bit.
C) The Hour.
I did the winding after work.
Which means between the hours of 1am and 3am.
D) The Contradiction.
It is silk. Wonderful, soft and silky (good description, no?). It was a pleasure to touch, to caress and to run my fingers through.
And yet, like hair of the same feel, it had knots and tangles. Pleasure ruined in fits and starts. One moment of touching it and saying "YES! Oh so soft!" and then like the crack of ice, suddenly finding my fingers wrapped in strong blockades.
It was very frustrating.

That aside, the knitting hopefully will go much smoother and it will be a very luxurious scarf.